In workshops we improvise in solos, small groups and as an ensemble. With body, voice and text we conceive something new.
Combines breathing , voice, movement and imagination. The goal is aiming a strong presence and expressiveness of the voice. We work with the permeability of the body that is transferred into a particular form of vibration, so called tremoring.
We distinguish 2 specific phases:
- Phase 1: Destructuring
The breath is lifted out of his natural flow; becomes chaotic because of the physical efforts the body is exposed to, which causes changing of your voice too. With the result that body and voice form a new unit based. In 12 defined tremor positions we use the tremoring of singular body parts that move similar to the diaphragm in vibration. The now sensitized body produces vocal modulation in improvised speech more subtle.
- Phase 2: Restructuring
We focus on virtuosity and strength of voice, that are fundamental in speaking, singing and expressing oneself or a character’s situation. The integration of text and literature of all genres broadens and extends options of expression.
There is no difference between the voice and the self. The voice is the muscle of the soul.
Developed at the Roy Hart Theatre Center Malérargues (Fr) representatives of the method are active worldwide in the tradition of Alfred Wolfsohn and Roy Hart.
Using aspects of the Roy Hart work we look at individual vocal sound and its expressive possibilities: intonation, humming, singing, speaking of tonal phrases, intervals and collocations. Aiming the goal of extended pitch and range, and greater capacity of resonance of the individual voice.